Bakuman: When Two People Can Be More Creative Than 50 People Combined

Nanamine Bakuman

With the Nanamine arc coming to an end this is a good opportunity to discuss a very peculiar skill that a lot of main characters in shounen series lack but is essential to being a main character in Bakuman – creativity. Continue reading »

Autumn 2012 Anime Season Digest – Half Point

Robotics Notes Autumn Season Half Point

A wise old man once said: “with a great season of anime comes great responsibility”. Okay, maybe he didn’t. Nevertheless after arguably two slow seasons we are finely experiencing a flood of quality anime. Some I will be writing about for the first time. Others I’ve already covered in my first impression posts and will check back and see how they fare.  Continue reading »

First Impression: Bakuman Season 3

Bakuman Season 3

As its third season begins Bakuman has already established a plot, has tons of characters and ran us through at least 10 or so fictional manga series. This series knows how to push buttons and remains a fun watch despite some stagnating elements and the lack of romance between the main characters. The one thing Bakuman always excelled at was providing real facts about the Japanese manga industry. Mashiro and Takagi have always worked to succeed in the “real world” of manga publishing. Embarrassingly enough episode 4 marks the series’ first blooper as Mashori and Takagi run into an obstacle that in reality does not exist. Continue reading »

Media Blasters Has Some Bad And Troubling News

Stop Signs

Media Blasters has postponed several of its releases yet again. This might just be a step in the company’s reconstruction efforts, but it might also be an imminent sign of something much worse. Continue reading »

2011 Winter Anime Season Retrospective

The 2011 winter anime season has concluded and a new season is just around the corner. Instead of summarizing the plot of new series and calculating how the next season might end up being I though I’ll review in retrospective five series from the last season. So before we clear our schedules for the season to come here’s a brief check on how some of the last season’s favorites turned up. I’ll be going at this in a simple manner: each day will bring a new brief spoiler-free (as much as possible) review of one series that aired this last season. These reviews are here to allow you to judge for yourselves which series you missed out on and should watch, and which aren’t worth your time. There were at least a couple of surprises this last season. Which series raised the bar for anime? and which series was so terrible that it should not be watched even by the fans? Read on to find out.


Bakuman (Season 2)

Bakuman’s 2nd season had a promising start. Mashiro and Takagi’s manga finally enter serialization and things are going smoothly. That is until their manga drops down in the magazine’s popularity chart and is cancelled. The rest of the season focuses on their attempts to pump out a more promising manga. It’s an interesting journey to watch, if not a very exciting one. Creating a superb manga takes time, and lots of it. We encounter so many little nit bits about manga production and creation in these episodes that the whole process can eventually become tedious to watch. But somehow Bakuman manages to take mundane tasks and make them exciting enough for us to hang around for another episode. The conclusions of important staff meetings or big announcements are always taunted at the end of an episode to create tension and anticipation. That way, even if these decisions end up being total fish-bait (and some do) you end up watching another episode nonetheless. A lot of new characters join the fry in this season, but surprisingly the best this season has to offer comes from Aoki Kou. A script writer in the first season, she now tries to draw a manga on her own. After passing many trials and errors she not only succeeds in creating her own manga, but also grows as a person. She was a cold-hearted woman in the first season, but by the end of the 2nd season she’s become my favorite mangaka. One that I hope will play an active role in the the 3rd season as well.

Verdict: I have to admit that the 2nd season came a bit short. It wasn’t fast enough, was boring at times and began to stutter considerably in the later episodes. But even with all those shortcomings taken into account it still had enough surprises and tension in it to be more than worth your while. It also helps that Monochrome Rainbow is one hell of an ending theme.


Tantei Opera Milky Holmes (season 2)

A year ago Milky Holmes had a wonderful first season. It was funny, cute and refreshing at the same time. In fact I found it so witty that I hurriedly proclaimed it as no less than the new Power Puff Girls. But then came a  2nd season that was, well, terrible. Although the main theme remains intact – the girls are still looking for a way to restore their Toys – the  2nd season of Milky Holmes quickly spirals into the realm of hardcore slapstick nonsense. All the characters are reduced to their utmost stereotypes and are painfully dumber than how they appeared on the firstseason. It was easy to sympathy with four cute girls who diligently look for their lost powers. It’s much harder to sympathize with four dumb girls who have forgotten about their powers altogether and spend their days leaching on their friends and wreaking havoc in the process. The ideas behind the second season dry up fast, leaving you wanting in pretty much every aspect in the series. The 2nd season is so barren and inconsistent with the first that there is in fact only one battle in the entire series, and it too is reduced to a slapstick finale. If you think I’m overreacting or expecting too much of Milky Holmes watch this:


This is how the characters are shown in the PSP game, a game in which they actually use their powers and solve detective mysteries. Is creating a decent detective plot with some action too hard a thing to ask from a series which has the word Tantei (detective) in its name? Wouldn’t the series appeal to a larger audience if it were a bit more polished, like the games are?

Verdict: This season definitely isn’t worth your time, even if you did watch the first season and loved it. It will only leave you with feelings of emptiness and missed chances. Even though it had a solid first season to build upon and unlimited possibilities it could have exploited the 2nd season turn out to be one big sour disappointment. Better luck next season, Milky Holmes!   


Hunter x Hunter (2011)

A boy named Gon sets out on a journey to find his father. But to do so he first must become a hunter – a dangerous and prestigious occupation for which an elaborate test was established. Along the way he meets up with the assassin Killua, the avenger Kurapica and the inspiring-doctor Leorio. Although their goals are different they find themselves helping each other on the way to becoming hunters…
As someone who watched and loved the original Hunter x Hunter series I pretty much knew what to expect from the new 2011 version. At its core HxH is a shounen series, but it packs considerably more intelligence and surprises then it’s counterparts in the genre. The new series has been polished for the HD generation, has better pacing, much better animation and is a more accurate reproduction of the manga. Mind you the original series was also accurate and “more accurate” in this context translates to less filler episodes. It’s always better to have less fillers and more meat on your shounen series. That said, the new series falters where its old counterpart shined best: in its music and feeling of tension. Hunter x Hunter 2011 has terrible music that doesn’t blend with the action or the comedy. It also doesn’t have a single track to play during times of tension. The old series used the known formula of ending episodes on cliffhangers, and tension was high. The new series lowers your expectations and reflects less tension, not only due to the lack of an appropriate music score, but also because most of the cliffhangers were left on the editing room floor in favor of the better pacing. Moreover, for some strange reason Hunter x Hunter 2011 feels more childish and colorful then it should. This is a dark series we are talking about here. What will happen to all this colorfulness and cheerfulness in the later episodes when blood starts flowing freely down the streets and terrorists start blowing people up?

Verdict: This one’s easy – if you haven’t seen Hunter x Hunter yet you should definitely watch this new version. It’s better suited for the new millennium and is still relevant in all the right ways. Not only is it a good series in its own good, it was also one of the series that built the foundations of the modern shounen genre (want to know were Naruto’s ninjas got their Sharingan from? Kurapica did it first). If, on the other hand, you’ve already seen the old series (perhaps you even own the incomplete Viz sets?) I advise you to skip the first episodes and wait at least until we get to the darker York Shin arc in a couple of weeks’ time.     


Black Rock Shooter TV

After being unimpressed with the Black Rock Shooter OVA more than a year ago I approached Black Rock Shooter TV with low expectations. Little did I know that this 8 episodes show will turn out to be the best thing I’ll be watching this season. I won’t explain to plot here, since I already wrote an entire post about it before. Read that post if you want a more in-length analysis about the series. I’ll just conclude my observations by saying that Black Rock Shooter TV offers an exquisite combination of action, psychology, art and music (and by music I mean the tear-jerking ending theme Our Footprints). It’s what all anime should be – a little risqué, a little vogue, and rewarding to watch.

Verdict: If you only have the time to watch one series from the 2011 winter season it should definitely be Black Rock Shooter TV. I’ll post a more formal review of this gem once I get my copy of the Blu-ray in July.       


Ano Natsu De Matteru

Ano Natsu De Matteru (we’ll be waiting in that summer) was a new romance series from the creator of Onegai Teacher and Onegai Twins. Not surprisingly it featured a young boy who falls in love with an alien girl. Kiato falls in love with Ichika, who appears to be a foreign exchange student at first. The story revolves around the two’s gradual growing relationship. Along the way Kiato’s friends are introduced and they all decide to film an amateur movie together. We soon discovered that most of Kaito’s friends are locked in a strange love predicament in which they are loved by someone they don’t care about and love someone who doesn’t care about them.
Ano Natsu has that magical feel its predecessors had, that feeling of encapsulated nostalgia. You know you never had such a childhood and that everything is over simplified, but it still seems nostalgic somehow. The series itself is far from being realistic or immersive. The plot is very simple and the characters unimpressive. It’s hard to swallow the notion that this group of friends all love each other in secret, and have done so for many years. It’s also hard to care about it considering someone confesses his or her love every single episode. The fact that Ichika is an alien adds nothing to the plot, and in fact makes the series unbelievably tasteless. The first episodes are fine, but you will lose interest by the time the third or fourth person confesses their love. The end of the series relies solely on the whole alien meets boy setting. This in turn causes the series’ shaky foundations to collapse in all their cliché glory.

Verdict: Don’t waste your time on this one. If you yearn for some sweet romance nostalgia you can always play it safe and rewatch Onegai Twins.

Why you should care about Media Blasters’ hurdles

As you may have heard according to Robert’s Anime Corner, Media Blasters will not be publishing the 2nd volume of Bakuman on DVD and the Ikki Tousen: Great Guardians Complete DVD Boxed Set. This announcement, coupled with Media Blaster’s decision to lay off 60% of its staff in January, poses real questions regarding the sustainability of the company. You needn’t be a Bakuman or an Ikki Tousen fan to understand why these are bad news, very bad news. 2012 already saw the closure of Bandai USA, and although it was a hushed closure with seemingly little ripples (caused mainly by fans of ongoing/newly licensed series which were suddenly dropped) it will prove to be a huge loss when Bandai’s back catalog runs dry. Suddenly all those series you’ve “saved for later” will go OOP. This is the tough reality behind Bandai USA’s closure and, although I hope I’ll be proven wrong, Media Blasters seems to be heading down this rocky road as well.

Media Blaster has been keeping a low profile for the last couple of years. It abstained from fighting over new licenses, rearing its head once in a while to release a new volume of the The Twelve Kingdoms, a new Queen’s Blade bundle or another “remastered” version of Magic Knight Rayearth (seriously, there are about five different DVD bundles of this thing and none of them are genuinely remastered). So one wouldn’t have been surprised if Media Blasters decided to phase out old licenses or fail to acquire hot upcoming titles. However, cutting series after a single DVD (in the case of Bakuman) or failing to release them completely (Ikki Tousen: Great Guardians) is baffling. These are both short series that could have easily made a quick buck for Media Blasters. Failing to monetize these titles can be a big mistake.
I’ve read a lot of opinions from laid back people, people who believe that even if Media Blasters closes down it won’t be that bad of a thing. These people cling to bigger companies like VIZ and FUNimation for salvation, firmly believing that those companies will rescue everything Media Blasters throws their way or discontinue. Well, I beg to differ. Sure, FUNimation rescued a lot of series following the bursting of the anime bubble, but that was back when things sounded nice and easy. Now FUNimation is caught up in a lawsuit pertaining…yep, you guessed it – FUNimation’s decision to rescue series from the late Geneon. Moreover, FUNimation has in fact yet to release most of these titles from lack of materials. Does this sound to you like a company with the money and time in its hands to rescue yet another batch of series? And VIZ? Are you sure you want a company that is infamous for dropping series halfway to rescue your beloved series?

The bottom line of all this talk is – if you like a title, support it by buying it now or when it’s available.  Fantasizing about some almighty company coming to the rescue when the forsaken fans need it to isn’t going to help sustain our beloved anime industry. Media Blasters isn’t going anywhere just yet. As of this time, Media Blasters hasn’t even officially confirmed the information regarding the infinite delays of the Bakuman DVDs or Ikki Tousen. Maybe it is us, the worried fans, who came up with the crazy idea that Media Blasters is having some unknown monetary problems. I would love to still be able to purchase the Bakuman BD set come May, even if the DVDs are discontinued. Media Blasters might not be at its peak as a company, but its loss will be bitter nonetheless. Try not to actively bring about this loss.

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